'Tell those douchebags at coinbase to bite you.' — March 11, 2018
March 11, 2018. Coinbase had activated SegWit on user withdrawals less than three weeks earlier, ending the multi-month pressure campaign Hunt had helped lead. The community had won. But the resentment hadn't fully dissolved — and on a Vegas wall, somebody had stuck a sticker. Hunt photographed it.
The tweet contains four pieces of original Hunt content: "What the hell?", "#vegas", "#bitcoin", and a photograph. Everything else is the sticker. The quoted text on the sticker — "Tell those douchebags at coinbase to bite you." — is doing the editorial work that Hunt would have had to do himself if the sticker hadn't existed.
The post-SegWit context
By March 2018, the Coinbase grievance had a specific shape. Throughout 2017, Coinbase had been the largest U.S. on-ramp into Bitcoin and the most-cited example of an exchange dragging its feet on SegWit adoption. The Hunt-led ATTENTION campaign in December 2017 had named the problem publicly. Coinbase activated SegWit on withdrawals on February 23, 2018 — implicitly acknowledging that the public pressure had been the difference.
The activation should have been a community win. It was, technically. But Coinbase did not apologize for the delay, didn't issue a retrospective statement explaining the slow timeline, and didn't credit the community pressure as the catalyst. The pattern from Coinbase, then and later, was to ship product changes without explanatory accountability. The community read that as condescending. By March, the grievance had moved from "Coinbase isn't shipping" to "Coinbase shipped but won't admit why."
That's the layer the Vegas sticker captured. "Bite you" is post-resolution anger. The fight is technically over. The bad blood is not.
The format's signature
The tweet is the cleanest example in the @MadBitcoins archive of editorial work done entirely through camera placement. Hunt's contribution is zero original argument. The argument is the sticker. The framing is the photograph. The Vegas location is the hashtag. Every editorial decision is delegated to a found object on a wall, and the tweet's force comes from Hunt knowing which wall to photograph.
This is the breakout-era cultural-bridge format scaled up. The 2016 OneCoin/Ethereum tweet had used two photos and a label. The 2017 Venezuela tweet had used a CNBC headline and three words. The Vegas douchebags tweet uses a sticker and an exclamation. Each iteration delegates more editorial work to the photographic subject. By 2018, Hunt had refined the form to the point where his original copy could be three words long and the tweet still functioned as commentary.
The 559/129 numbers
The engagement put this tweet in the Curio + WCN era's top tier — second only to the Venezuela "world has changed" tweet (714/350). The fav-heavy ratio is the signature of community-endorsement content: people were liking the catharsis without necessarily wanting to amplify the f-bomb-adjacent sticker to their own followers. The 129 retweets are still substantial — well outside @MadBitcoins' core audience.
The tweet became, in retrospect, one of the era's most-cited examples of how Hunt could let other people do the editorial work and still take credit for the framing. The sticker writer is anonymous and unrecoverable. Hunt is the camera. The audience reads the tweet as a Hunt commentary even though Hunt didn't write the commentary. That's the move. That's the form.
It's also a tweet that aged in a particular way. Coinbase, by 2024-2026, had become a publicly-traded company (COIN, NYSE), a major U.S. crypto policy lobbyist, and the most established exchange in the country. The "douchebags at coinbase" tweet remains in the archive as a reminder that the company's path to legitimacy ran through a community that, at various points, was not impressed.
This article is part of a deep-dive series on the @MadBitcoins Twitter archive — 91,295 tweets across 13 years. See all articles → or read the Curio + WCN Co-Host era overview.
