oU74l8LAg a racoon cartoon…Seven hundred raccoons. Seven hundred. Of every shape an artist's obsession will permit: in samurai armor, on the moon, behind a boombox, in a recliner watching television, eating breakfast, blocking out the sun. Curio cards in 8-bit. Black-and-white wall stencils. A speedracer-circle logo that gets repeated eighty times running. The raccoon is the most repeated single image in Thomas Hunt's MidJourney archive, and once you have noticed this you cannot un-notice it. He is drawing his familiar.
cartoon racoon making…
fat raccoon sitting in…The collection works because it commits. There is no apologetic framing, no "studies for a project" tone — Thomas simply types cartoon racoon samurai into the prompt box ninety-seven times and lets the model find ninety-seven angles on the same idea. What comes back is less a series than a litany: identical noun, ever-shifting context. In one frame the raccoon is steel-clad, brushwork-line, the camera low, late-afternoon light off the helmet's mempō. In another he is a flat-color sticker, vector-bright, the kind of mark that wants to live on a hoodie. The constancy is the raccoon. The variable is everything else.
cartoon racoon samurai…
What is striking is the range of use cases implicit in the prompts. 8 bit pixel raccoon like curio cards. Black and white wall stencil graffitti of a raccoon. Racoon with a boombox. Each phrasing is the genre direction for a different commercial life — collectible token, street art, mixtape cover. The raccoon is being trained for hire. He is a logo trying on every house style available so his owner can find him the right room.
The cartoon racoon on the moon set
cartoon racoon on the moon --v…is worth looking at — thirty-eight images of a single composition, raccoon-figure planted in lunar soil, Earth a marble overhead. It reads first as a joke and then as a portrait. The animal is small in the frame; the moon is a stage. Across iterations you watch Thomas test what posture sells the sincerity. Arms-folded does. Arms-raised does not. The synthwave palette wins over the cyberpunk in the long-run aesthetic — cartoon racoon moon synthwave feels like the resolution of the question after cyberpunk cartoon racoon moon has been visited and rejected.
a racoon version of…The fat raccoon sitting in recliner watching tv run is the one where the artist drops his mask. Twenty-two attempts. This is the comedian's raccoon, the at-home raccoon — the version that exists between the marketing-ready logos and the war-paint warrior. He is not for sale here. He is on his couch.
8 bit raccoon like crypto…
And the
a racoon version of speedracer…speedracer raccoon — eighty identical prompts trying to nail a single logo — is the most revealing artifact in the bestiary. Eighty attempts at a circular emblem. This is what a working designer looks like when the brief is unforgiving and the brand is not yet locked. You can watch a brand being born: the figure moves an inch, the linework loosens, the speedlines change angle. By the seventieth iteration the raccoon has fixed his look. He is a vector mark with a name behind him.
a racoon version of…The bestiary's question is whether the raccoon is the artist's icon or his alter. Bitcoin culture has its bears, its bulls, its plagues of locusts; the raccoon is none of these. He is a creature of the American backyard who turns up where he is not invited and eats what is left out. He is, in the literal sense of the word, a trickster. Mad Bitcoins is a trickster broadcasting trickster news at the edges of an industry that takes itself very seriously, and he has — over eighteen months of MidJourney sessions — built himself the totem he was missing.
gangs of photorealistic…
Every image, no curation — a contact sheet of the entire run. Click any thumbnail to open it.