Eleven collection essays, six cross-collection readings. Each essay is paired with its gallery.
Samurai, speedracer, breakfast — the recurring raccoon as Mad Bitcoins' self-portrait.
Read essay →Lewis Carroll, filtered through Bitcoin: white rabbits, mad hatters, fly goggles, pocketwatches.
Read essay →James Bond in a top hat and fly goggles, walked through every visual style available.
Read essay →The Disney mascot rebuilt in cyberpunk, tron, techno, and Orwellian palettes.
Read essay →Buildings reduced to color planes — blue, pink, yellow, sometimes Gaudí — repeated until they sing.
Read essay →American political ruin rendered as postcards, mosaics, and propaganda.
Read essay →Captain America fighting Yodas, Wookies smurfed, every franchise crossed against every other.
Read essay →Mechanical bulls, war-helmet robots, and the iconography of force.
Read essay →Line-drawn taxonomies — the look of a 19th-century natural-history plate, generated 100+ times.
Read essay →Stern as Doctor Doom, as Spider-Man, in the air with mini-discs — a private pantheon.
Read essay →A single irreverent figure run through Monet, Soviet propaganda, and card-game tableaux.
Read essay →The dominant obsession revealed in 9,481 prompts is not what the table of contents announces.
Read essay →Fly goggles. Top hats. Samurai armor. The neon under-light. The moon as stage.
Read essay →Two cycles next to each other reveal what each refuses that the other accepts.
Read essay →Square framing, German Expressionist lighting, no chase scenes. The archive as a director's reel.
Read essay →Hopper, Klimt, Posada, the calavera tradition. Where art history sits underneath the work.
Read essay →What 9,481 prompts reveal about American Bitcoin culture, generation, and gender pattern.
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